- Follow @TheAndrewBlog
- Better Call Saul: The Winding Road between Jimmy McGill and Saul Goodman in “Lantern”
- Better Call Saul: the Inevitable Hard Landings in “Fall”
- Better Call Saul: Everyone Takes an Extra Step in “Slip”
- Wonder Woman Is a Big Step Forward for the DCEU and Superhero Movies
- Better Call Saul: The Small Interactions that Cause Big Ripples in “Expenses”
- Alexandra on The Walking Dead: Finding Fault and Absolution on “The Other Side”
- Andrew Bloom on Better Call Saul: The Winding Road between Jimmy McGill and Saul Goodman in “Lantern”
- Gabriel on Better Call Saul: The Winding Road between Jimmy McGill and Saul Goodman in “Lantern”
- PCarv on 7 Big Questions About Battlestar Galactica’s Finale
- Gabriel on Better Call Saul: Whether Chuck McGill Loves his Brother in “Sunk Costs”
Tag Archives: The Sopranos
One of the best qualities of The Sopranos was how it would frequently depict a character having a small but meaningful interaction with another person, and then show how that moment could change their emotional state or plant some idea in their head that would stick with them throughout the episode. Often, the character would then take out those feelings on someone entirely removed from the original incident. It was part of the show’s deft emotional calculus, that captured the way thoughts and feelings flit around in the background of one’s mind, popping up at unexpected times or in surprising ways.
As much as the aptly titled “Expenses” is devoted to the tough financial situation Jimmy McGill finds himself in while suspended from the practice of law, it’s also devoted to that same idea — that one interaction, one exchange with another person, can reframe how you feel about someone or something, in a way that carries with you and cannot be easily erased.
The Sopranos is credited with ushering in a new “Golden Age of Television”. Its complex family dynamics, black-and-gray morality, and introspective bent were trademarks that set the show apart from its contemporaries. In its wake, a number of other shows emerged that embraced that approach and focused on antiheroes who, to one degree or another, were attempting to balance a double life. Two of these shows, Mad Men and Dexter, can draw a straight line from The Sopranos to their place in the television pantheon. In “College”, an episode from the groundbreaking drama’s first season, The Sopranos planted seeds that those two spiritual successors would have a hand in harvesting.