- Follow @TheAndrewBlog
- Star Wars: Revenge of the Sith Is Just The Room in Space
- The Walking Dead Has Good Ideas and Bad Dialogue in “Time for After”
- Ed Wood and Who Art Really Belongs To
- The Walking Dead Ties Up Loose Ends in a Dull Fashion in “The King, The Widow and Rick”
- The Walking Dead Shows Negan as a True Believer and a Leviathan in “The Big Scary U”
- jenna haze on Andrew’s Crazy TV Show Theories
- Andrew Bloom on Contact
- Scott on Contact
- Andrew Bloom on The Forgotten Rape in the Marvel Cinematic Universe
- Aisha on The Forgotten Rape in the Marvel Cinematic Universe
Tag Archives: Superman
Justice League Tries to Thread the Needle Between The Avengers and Batman v. Superman and Turns Out Generic
It’s impossible to process Justice League without considering Batman v. Superman, the film’s literal predecessor, and The Avengers, its spiritual one. The DCEU’s latest team-up movie is so much in conversation with these two prior films, so much reacting and responding to them, that it almost doesn’t make sense without them.
There are some good ideas and good intentions behind Batman v. Superman. If you want to make a superhero film, there are worse comic books to crib from than Watchmen, The Dark Knight Returns, and the Doomsday arc. If you’re trying to create a film that owns its four-color roots while also aiming to make some kind of grand statement, there are worse ideas than trying to examine the social and political repercussions of god-like aliens coming to Earth. If you want to add your own bit of shading to a set of time-honored icons, there are worse ways to do it than showing each of them struggling with the legacies of their parents.
But trying to do this all at once requires a deft hand. Trying to do it all with the added requirements of the expected big-budget action sequences, the need to launch a new cinematic universe, and an effort to correct for the perceived missteps of a prior film, would take a miracle-worker. If the balance of all of these disparate elements isn’t just right, instead of the intended depth and complexity, you get a well-meaning, but ultimately incoherent muddle. That’s what the cumbersomely titled Batman v. Superman: Dawn of Justice amounts to — a boldly ambitious, hopelessly flawed, overextended mess of a film.
Superman is an alien from beyond our solar system, but also a part of humanity. He’s a boy from Kansas, but also a demigod. He is, at once, both the other and the familiar. It’s a duality that director Zack Snyder and screenwriter David S. Goyer explore in Man of Steel, and they demonstrated the similar duality that’s inherent in attempting to adapt Superman for the screen.
In the film, Superman struggles with the tension between his knowledge that he is a living monument to a world and a people who have long since been destroyed and the feeling that he is a part of our world with friends and loved ones who are just as meaningful. By the same token, the film’s creative brain trust (which includes the director of The Dark Knight, Christopher Nolan) struggles to both honor Superman the icon, the character who has come to represent so much over the course of decades of stories in every medium imaginable, and make him a relatable character who movie audiences can connect with.
It was a noble effort, and a difficult one at that, but ultimately, an unsuccessful one as well. At the end of the film, Superman is still more icon than man and more symbol than individual.