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Star Wars: The Phantom Menace Is a Cold, Empty Film in a Series Known for its Richness, Excitement, and Warmth
The internet is the land of hyperbole. Everything is either the greatest event in the history of the world or the worst thing to ever happen. So when it came time to watch The Phantom Menace–arguably the most maligned of the already ill-regarded Star Wars prequels–I approached it with optimism. I didn’t love the film when I saw it at twelve, but I didn’t hate it either. Surely the case against it was overstated. Surely there was a charitable interpretation to be made. Surely it couldn’t be that bad.
And then it was.
Make no mistake — The Phantom Menace is an awful film. It’s not the blight on the soul of cinema that its most ardent detractors would have you believe, but it’s not a good movie. In truth, somewhere past the halfway mark, Episode I manages to settle into a groove of mere okayness. There’s a good portion of the film that, separated from the ardor and expectations that come with the Star Wars appellation, would fall into the voluminous “fine but forgettable sci-fi adventure” category, never to be spoken or thought of again.
Unfortunately, The Phantom Menace does labor under those expectations, and the worst elements of the film are front-loaded. The racial stereotypes, the parliamentary procedure, and the bad child acting are all at the forefront in the early going of Episode I. At some point, the movie stumbles its way into a decent-if-unremarkable story about bucking authority and making peace with longstanding rivals to face a common enemy. But it’s a long slog to get there without nearly enough of a payoff.