- Follow @TheAndrewBlog
- Star Wars: Revenge of the Sith Is Just The Room in Space
- The Walking Dead Has Good Ideas and Bad Dialogue in “Time for After”
- Ed Wood and Who Art Really Belongs To
- The Walking Dead Ties Up Loose Ends in a Dull Fashion in “The King, The Widow and Rick”
- The Walking Dead Shows Negan as a True Believer and a Leviathan in “The Big Scary U”
- jenna haze on Andrew’s Crazy TV Show Theories
- Andrew Bloom on Contact
- Scott on Contact
- Andrew Bloom on The Forgotten Rape in the Marvel Cinematic Universe
- Aisha on The Forgotten Rape in the Marvel Cinematic Universe
Tag Archives: Pixar
It’s sad when a vibrant man dies of cancer at the age of fifty-six, whether he is the C.E.O. of a multi-billion dollar company or just somebody’s father. Steve Jobs is no exception. Whatever one’s feelings about his life or his work, another human being has passed, and that is worth a moment of pause.
But as I read the lionizing facebook statuses and the glowing retrospectives recounting Steve Jobs’s life, I am puzzled by the emotional attachment to this man with whom few us had any real connection. I did not know Steve Jobs. I have never met Steve Jobs. He has had hardly any impact on my life beyond the iPod I purchased a number of years ago. Though his passing gives me a brief instant of sad reflection, I am otherwise largely unaffected.
Apparently, I am in the minority. And it’s not the first time.
Cars is easily Pixar’s most poorly-received film. The movie, featuring a world of anthropomorphic automobiles, completely rankled fans of the studio. These detractors view Cars as a rare misstep amidst Pixar’s otherwise unblemished offerings. While movies like A Bug’s Life may have underwhelmed, and those like Ratatouille flown under the radar, no Pixar film has engendered as strong a negative response from the faithful as Cars. With a sequel coming out soon, these doubters have renewed and redoubled their critiques.
Personally, I generally enjoyed the film as a bit of harmless popcorn entertainment, and I believe that Pixar is, in many ways, a victim of its own success. The studio has a remarkable track record of releasing uniformly outstanding feature films, from its initial offering of Toy Story to classics like Finding Nemo to recent triumphs like Up. When held up against these lofty brethren, Cars status as merely “pretty good,” makes it seem overly lacking by comparison. It’s a solid, but unspectacular film, doomed by the company it keeps.