Tag Archives: George Lucas

What The Supreme Court and The Jedi Council Have in Common


Adam Gopnik recently wrote about “Lessons for the Supreme Court from the Jedi Council.” In that article, he puts forward the idea that just as the denizens of the Star Wars universe “seem[] to have an undue cultural investment in the wisdom of the Jedi Council, even in the face of its ineptitude,” so to do Americans unduly venerate a Supreme Court whose inner workings appear “more like the manufacture of after-the-fact rationales designed to give the appearance of footnoted legalism to what are, in truth, the same ideological passions that have the rest of the country in their grip.” Gopnik disclaims the concept of textual interpretation, maintaining that our nation’s highest judicial body resembles its intergalactic counterpart in how it “seems to be functioning on guesswork and mutual hypnosis more than actual expertise.” Accordingly, he concludes that neither the Jedi Council nor the Supreme Court should be afforded nearly so much deference or respect.

The question becomes whether these two august bodies are enough alike to justify such a comparison or conclusion. There are certainly similarities between the two. In The Phantom Menace, the Jedi Council decides, after much deliberation, that Anakin Skywalker should not be trained in the ways of The Force. But Qui Gon Jin (and later Obi Wan Kenobi in his stead) defy that order and decide to teach the boy anyway. In the real world, after the Supreme Court held that same-sex marriage was a right under the Constitution, Texas’s Attorney General soon thereafter announced that despite that decision, under his interpretation Texas officials did not have to abide by the ruling. In both the Star Wars universe and our own, prominent officials have taken Gopnik’s advice to heart and feel free to ignore the high court’s decisions.

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Star Wars: The Phantom Menace Is a Cold, Empty Film in a Series Known for its Richness, Excitement, and Warmth


The internet is the land of hyperbole. Everything is either the greatest event in the history of the world or the worst thing to ever happen. So when it came time to watch The Phantom Menace–arguably the most maligned of the already ill-regarded Star Wars prequels–I approached it with optimism. I didn’t love the film when I saw it at twelve, but I didn’t hate it either. Surely the case against it was overstated. Surely there was a charitable interpretation to be made. Surely it couldn’t be that bad.

And then it was.

Make no mistake — The Phantom Menace is an awful film. It’s not the blight on the soul of cinema that its most ardent detractors would have you believe, but it’s not a good movie. In truth, somewhere past the halfway mark, Episode I manages to settle into a groove of mere okayness. There’s a good portion of the film that, separated from the ardor and expectations that come with the Star Wars appellation, would fall into the voluminous “fine but forgettable sci-fi adventure” category, never to be spoken or thought of again.

Unfortunately, The Phantom Menace does labor under those expectations, and the worst elements of the film are front-loaded. The racial stereotypes, the parliamentary procedure, and the bad child acting are all at the forefront in the early going of Episode I. At some point, the movie stumbles its way into a decent-if-unremarkable story about bucking authority and making peace with longstanding rivals to face a common enemy. But it’s a long slog to get there without nearly enough of a payoff.

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Star Wars: The Balance of the Grand and the Intimate in A New Hope


Of all the memorable visual flourishes in the original Star Wars, there are two images that stand out. The first is arguably the most iconic — Luke Skywalker, gazing off at the horizon, as the twin suns set on Tatooine. It represents the promise of adventure, the enormous world that waits beyond the garden gate, and serves as the prelude to his epic journey.

But the second is much simpler. It’s Luke, Leia, and Han, arm-in-arm and filled with joy, as they celebrate their victory over the Empire back at the rebel base. That moment underlines their unlikely friendship, borne out of shared struggles and triumphs, and shows the film’s heart, clearly felt even in the midst of this grand adventure. That contrast is what Star Wars, at least in its original form, comes down to, and what makes the film still so salient and impressive nearly forty years after its release.

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