- Follow @TheAndrewBlog
- Game of Thrones: The Dizzying Thrills, the Blazing Horrors, and “The Spoils of War”
- Game of Thrones: “The Queen’s Justice” Finds Poetry in Westeros
- Game of Thrones: “Stormborn” Sees Through Ice and Fire, Pleasure and Pain
- Game of Thrones: “Dragonstone” Offers a Brilliant Homecoming
- Game of Thrones: The Beginning of the End in “The Winds of Winter”
- backlinks on The Simpsons: “Duffless” – Homer’s Temporary Sobriety and How to Show Growth on a Sitcom
- Jake on In Defense of The West Wing‘s Season 5
- Andrew Bloom on Laughing at Sincerity: The Room, Tommy Wiseau, and The Earnest Failure
- Sam on Laughing at Sincerity: The Room, Tommy Wiseau, and The Earnest Failure
- Leon on 7 Big Questions About Battlestar Galactica’s Finale
Tag Archives: Daria
The first season of Daria is good, but not great. Many of the elements that would eventually establish the show as a touchstone for disaffected youth were already in place in these early installments. From the beginning, Daria showed off the deadpan snark that would make her famous; the rest of the Morgendorffer clan had their basic personalities sketched out, and the show was already devoted to shining a satirical light on the lumpier parts of high school and teenage life writ large.
But in the show’s early going, its bread-and-butter humor and critiques of life as a young adult are a little less sophisticated and a little more obvious. The satire isn’t as sharp or incisive as it would become later in the series, and the secondary characters are flatter and more stereotypical. Most of all, the series only gives glimpses of the depth and insight series creators Glenn Eichler and Susie Lewis Lynn would eventually imbue into Daria and the show’s title character.
This all makes me sound far more negative on Season 1 than I mean to be. Even if Daria had never progressed past what it was able to accomplish in its first season– creating a fully formed protagonist who could wield witty barbs like a literate ninja, mustering a solid dose of knives-out fun directed at one-dimensional high school archetypes, and offering a fractured take on life as a teenager–it would still be an enjoyable series with a memorable hook.
But in “The Misery Chick”, an episode written by Eichler that served as the finale of the show’s first season, the folks behind Daria showed the series’s uncanny ability to address complicated, meaningful topics with a deft hand. What’s more, the episode served as something of a mission statement for Daria herself and also proved that the series could show empathy for its broader, less likeable secondary characters, revealing the hidden depths and humanity of the less-flatteringly-depicted residents of Lawndale. These are the elements that allowed Daria to transcend being a simple paean to teenage snark, and become one of the most incisive and hilarious looks at young adulthood ever on television.