- Follow @TheAndrewBlog
- Justice League Tries to Thread the Needle Between The Avengers and Batman v. Superman and Turns Out Generic
- The Walking Dead Confronts Whether Ezekiel Is Just “Some Guy”
- The Walking Dead Is One Big Jumble of Plots in “Monsters”
- Thor: Ragnarok Wins with Comedy and Character, Even When its Story Sags
- The Walking Dead Keeps Asking the Same Tired Questions in “The Damned”
- jenna haze on Andrew’s Crazy TV Show Theories
- Andrew Bloom on Contact
- Scott on Contact
- Andrew Bloom on The Forgotten Rape in the Marvel Cinematic Universe
- Aisha on The Forgotten Rape in the Marvel Cinematic Universe
Tag Archives: bright eyes
Salutations is a surprise. After Ruminations (the 10-track album written and recorded by Conor Oberst in the cold confines of Omaha, Nebraska) came out last year, the news that a second album, with full-band arrangements of those same 10 songs plus seven more, would be released this year was an unexpected bonus. Featuring the contributions of The Felice Brothers and Jim Keltner, it promised a new treatment of some of Oberst’s most raw compositions. The result is a fulsome new release, markedly different from its 2016 cousin.
If nothing else, Salutations is a fascinating look at the changes that come from collaboration and evolution in a studio setting versus the isolation in which these songs were born. Instead of relying solely on piano, acoustic guitar, and harmonica, Oberst and company employ accordions, organs, strings (of both the orchestral and fiddle varieties), and ethereal sound collage elements to build up these tracks and give them a unique character.
“It felt like a religious experience.” That’s how I described the last time I saw Conor Oberst perform live. In the summer of 2007, Oberst, fronting his usual band Bright Eyes and welcoming a slew of special guests, did a week of shows at Town Hall in New York City. I found myself sitting in the front row, captivated. That description feels hyperbolic now, but it was truly and sincerely felt at the time. For a certain strain of twenty-somethings who entered adolescence at the turn of the millennium, Oberst did more than just provide the soundtrack to our heartaches. He gave verse and form to our struggle to find meaning and come of age in a world that seemed to be both rapidly shrinking and receding away from us.
And yet beyond those starry-eyed acolytes, Oberst became a polarizing figure for both music diehards and casual fans. Equal parts lionized and dismissed, the pallid, dark-eyed singer has been championed as the next Dylan for his trenchant insights and folky style, and also slammed as a hack who scribbles feeble mawkish laments.
But for those few pitiable individuals who seemed to be untangling the same messy thoughts Oberst tried to unravel in his music, the Bright Eyes frontman sang something approaching beautiful, heart-rending truth, or, at least, truth to that experience. When he bellowed out to the crowd at Town Hall that his next song, “was about the rapture–maybe you’re waiting for it” before breaking into “Four Winds”, it felt like the heavens themselves would shatter as the band broke into the first violin-soaked beat.
When we started this tradition last year, I mentioned that as New Years Eve starts to roll around, you’re apt to see a number of “Best of 2011” music lists. I have no issue with these lists, and I think it’s great to look back at the best new music of the past twelve months. But this sort of thing doesn’t capture experience that most people have with music in a given year. In the past year, I discovered plenty of great music, some of it from 2011, some of it from decades ago, and everywhere in between. In that spirit, I present to you, in no particular order, the Top Ten Songs I Was Stuck on in 2011.