- Follow @TheAndrewBlog
- Behold the Awfulness of Showrunner Scott Buck in “Behold…The Inhumans!”
- The Simpsons Takes It on Faith in “Lisa the Skeptic”
- The Star Trek Discovery Premiere Is a Risky Proposition
- Phoebe Bridgers’ “Stranger in the Alps” Is a Haunting Array of Songs that Pierce and Linger
- Arrival Is an Intricate Film that Snaps into Place in its Finale
- Andrew Bloom on Contact
- Scott on Contact
- Andrew Bloom on The Forgotten Rape in the Marvel Cinematic Universe
- Aisha on The Forgotten Rape in the Marvel Cinematic Universe
- Andrew Bloom on Buffy the Vampire Slayer Season 6: Deconstruction, Self-Destruction, and the Real World
Tag Archives: Black Widow
Before Anthony and Joe Russo were directing superhero movies, they worked on a little show called Community about a group of misfits at a community college. The series, oddly enough, had a surprising amount in common with The Avengers. Both were about seven people from different backgrounds who bounced off one another in interesting ways, carried their own unique psychological baggage, and who would still, now and then, come together and do amazing things.
One of the most remarkable things about Community was its mastery of tone. The series was pitched as a comedy, and true to that billing, it was a funny, creative, and occasionally off-the-wall show. And yet it could just as easily shift into something quiet and personal, something unremittingly dark, or even something difficult and complex that lacked the sorts of easy answers seemingly required of all network sitcoms. The Russo brothers brought the same incredible ability to mesh different tones and characters to Captain America: Civil War and translated it onto a much bigger stage without missing a beat.
Because Civil War is hilarious, action-packed, and all kinds of fun. It’s has tons of inventive sequences and fights big and small that are filled with humor and imagination. But at the same time, Civil War is, in its own way, a very dark film about fear, regret, anger, a deep divide and a personal loss. It touches on big ideas like moral responsibility, individual guilt for broader actions, and the dangers of power without boundaries. The film, however, grounds these ideas in its well-developed characters, intimate individual moments, and personal relationships. It’s a smorgasbord of different scenes and settings and moods that can make you laugh, gasp, and feel the tragedy of a given moment, without letting these varying tones clash. And that is one hell of an achievement.