- Follow @TheAndrewBlog
- Star Wars: Revenge of the Sith Is Just The Room in Space
- The Walking Dead Has Good Ideas and Bad Dialogue in “Time for After”
- Ed Wood and Who Art Really Belongs To
- The Walking Dead Ties Up Loose Ends in a Dull Fashion in “The King, The Widow and Rick”
- The Walking Dead Shows Negan as a True Believer and a Leviathan in “The Big Scary U”
- jenna haze on Andrew’s Crazy TV Show Theories
- Andrew Bloom on Contact
- Scott on Contact
- Andrew Bloom on The Forgotten Rape in the Marvel Cinematic Universe
- Aisha on The Forgotten Rape in the Marvel Cinematic Universe
Tag Archives: Archer Season 8
Archer is an outrageous show, full of spy-fueled action, liquor-fueled shenanigans, and libido-fueled insanity, on top of the show’s tightly-written dialogue and surprisingly deep character work. But even in such an over-the-top series, Pam Poovey, the drift-racing, hard-charging, HR director-turned-field agent manages to stand out.
Amber Nash is the award-winning actress who’s brought Pam to life over the last eight seasons of the show. I had the pleasure of chatting with Amber about the new direction Pam’s taken in the noir-inspired Archer: Dreamland, her inspirations and influences, and what the future holds for the inimitable Ms. Poovey.
There’s typically a shelf life for television shows, especially comedies. Part of a comedy’s potency comes from its ability to surprise its viewers, to leave them taken aback with some hilarious and audacious line, gag, or sequence. But as a show gets on in years, the characters become more familiar, and the rhythms of a show’s storytelling and humor begin to be recognizable. That, almost inevitably, leads to escalation, where characters grow more caricatured, events start to become bigger and more dramatic, and episodes turn more and more self-referential.
And yet, even as it enters its eighth season, Archer has managed to stave off much of this standard seasonal rot. Part of that stems from the fact that it’s hard to turn the show’s already exaggerated figures into caricatures. Right from the jump, Sterling Archer was already a version of the Bond-esque superspy with all the drinking, womanizing, and death-defying qualities taken up to eleven. Part of it comes from the strength of the show’s dialogue and clever, densely layered writing, which continues to crackle even as certain plots may spin out or grow unwieldy.
But a big part of how Archer has managed to stay fresh, even as it moves within spitting distance of the 100-episode mark, comes from creator Adam Reed’s consistent willingness to reinvent and evolve the series as it carries on. Reed, who in addition to creating the show has been a credited writer on every episode, is not afraid to shake up the premise of his series — the setting the Archer gang finds themselves in, the types of stories told, and the characters’ relationships with one another.