Monthly Archives: June 2013

Dexter Season 7 | The Andrew Review

Every series starts out with a basic premise – a storytelling engine that is supposed to power the show. Some shows ride that engine until, and sometimes long after, it breaks down. Others make tweaks along the way that keep things from sputtering out. Some shows will even swap their initial premise out for something totally new in the hopes that it will give the series new life going forward. The best series, however, take that initial premise and let it evolve naturally. At heart, I believe the producers of Dexter have tried to make it that sort of show.

The first season of Dexter used its original premise to great effect. That initial season was a golden time on the show where everything was still a mystery, or a possibility, or a hint of a future storyline which all stemmed from the show’s central idea. Yet, as the seasons have gone by, Dexter has faced several challenges that largely seemed organic to his two-fold identity as a secret serial killer working for the police.  He’s handled a large-scale investigation into his activities. He’s tested whether he can have real relationships with others, both romantic and platonic. He’s had to balance his need to kill with his need to be a brother, husband, and father. In this way, Dexter has let its story and its protagonist grow and change in ways that feel natural to that original idea, if a bit shoehorned into season-long arcs.

But despite that evolution, Dexter has held tightly to a few pieces of its initial premise, saving them for a rainy day. Some of the biggest questions the show had asked in its very first episode have been left waiting to be answered. What if the people close to Dexter found out what he really is? What if Dexter got caught? What if his secret identity was out in the open? Season 7 of Dexter pulled the trigger on exploring the first question and thoroughly teased the second and third. And it made it a season brimming with possibilities.

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Man of Steel | The Andrew Review

Superman is an alien from beyond our solar system, but also a part of humanity. He’s a boy from Kansas, but also a demigod. He is, at once, both the other and the familiar. It’s a duality that director Zack Snyder and screenwriter David S. Goyer explore in Man of Steel, and they demonstrated the similar duality that’s inherent in attempting to adapt Superman for the screen.

In the film, Superman struggles with the tension between his knowledge that he is a living monument to a world and a people who have long since been destroyed and the feeling that he is a part of our world with friends and loved ones who are just as meaningful. By the same token, the film’s creative brain trust (which includes the director of The Dark Knight, Christopher Nolan) struggles to both honor Superman the icon, the character who has come to represent so much over the course of decades of stories in every medium imaginable, and make him a relatable character who movie audiences can connect with.

It was a noble effort, and a difficult one at that, but ultimately, an unsuccessful one as well. At the end of the film, Superman is still more icon than man and more symbol than individual.

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Lagunitas Sonoma County Stout | The Andrew Beer Review

I’ll admit off the bat that this beer, which I received on tap at The Ginger Man in New York City, was just not my style. In short, the beer tasted like stale wine that had been left sitting on a radiator. No one at my table could stand more than a sip. My craft-loving friend was vehement that the bar’s keg had gone bad, and he was aghast when the waitress insisted it was supposed to taste like that.

I’ve come to understand that grape-y sewage may have been the flavor Lagunitas was going for when it brewed the Sonoma County Stout. If so, then I congratulate them on the achievement, and I can confirm that they have not only concocted a beverage suitable for anyone who enjoys the taste of skunky Guinness mixed with a jug of Welch’s that got left in the garage over the summer, but also potentially violated the Geneva convention.

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Sally Draper and Jessica Lovejoy

 

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