Tag Archives: Rick Grimes

The Walking Dead: An Endless Series of Middles in “Last Day on Earth”


One of the interesting things about The Walking Dead under showrunner Scott Gimple’s influence is that it has, more or less, eschewed the traditional narrative structure for a season of television. The storyline of the prison and The Governor seemed to be building to a finale at the end of Season 3, but then it didn’t really end until several episodes into Season 4. Afterward, the show embarked on its Wandering in the Wilderness/Terminus storyline that stretched from roughly the midpoint of Season 4 until the beginning of the Alexandria storyline in Season 5. Then that plotline, about our heroes discovering a new community and gradually integrating into it, reached its natural conclusion with this year’s mid-season premiere, where the Rick’s group and the town came together to defeat the zombies at the gates as a whole. Only then, did the current arc begin in earnest.

Which is to say that as Season 6 draws to a close, we’re not at either the end or the beginning of the Negan storyline; we’re in the middle. That’s admittedly a little strange. It’s a departure from the annual Big Bad structure that Buffy the Vampire Slayer established and many other shows adopted. And it’s even distinct from the trend started by The Wire and The Sopranos, where the real fireworks happen in the penultimate episode of a season, with the finale reserved for aftermath and reflection.

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The Walking Dead: The Circle of Life and Death in “East”


“East” is about cycles, about chain reactions, and the way that decisions big and small come back to us in one form or another. Morgan says it himself — it’s all a circle. But whether that circle is good or bad, whether you get out of it what you put into it, remains to be seen in the world of The Walking Dead.

To Morgan’s mind, that reciprocity or karma or whatever you want to call it, can be a force for good. He decides to spare The Wolf, and to Morgan, that decision not only leads to The Wolf deciding to help to save Denise (which allowed her to save Carl), but it also led to Morgan’s philosophy trickling down to Carol, making Alexandria’s most hardened warrior so uncomfortable with the act of killing that she leaves the community so that she need not risk having to hurt anyone else.

And yet Daryl faces the mirror image of that series of events and sees a very different result. He chooses to spare Dwight, and to Daryl, that makes him responsible both for Denise’s death at Dwight’s hands, and also for the message that it sent to Carol, who had to help him bury yet another innocent person in these harsh environs, and possibly served as the final straw that drove his dear friend away. Both men made the same kind of choice, but interpret the consequences of those choices very differently.

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The Walking Dead and the Stillness and Joy of “The Next World”


How rare is it to see people on The Walking Dead actually happy? Sure, the show gives its band of survivors the occasional moments of triumph or brief bits of levity, but how long do we ever really get to see the atmosphere around Rick and Daryl and Carl and Michonne be simple and pleasant?

It’s not often, and there’s a reason for that. Happiness and stability are nice for a while; it’s comforting for the audience to see the characters they’ve gotten to know over the years catch a break here and there. And yet too much happiness or too much stability over the long term becomes boring. Storytelling is fueled by conflict. As shows like Parks and Recreation have proven, that conflict doesn’t necessarily have to be dark or dour, but a good show needs real, meaningful obstacles for its characters to hurdle over or the entire enterprise eventually feels too slack to be truly engaging.

But it’s been such a harrowing season for The Walking Dead, and beyond that, a harrowing series from the very start, that it was incredibly refreshing to have an episode like “The Next World” where, more or less, everything was okay. After the gruesome deaths, fireworks, and bombast of “No Way Out”, this was a quieter episode that let its heroes enjoy their victory for a little while before the next great challenge (Negan?) rears its ugly head.

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Community and Humanity in The Walking Dead‘s “No Way Out”


There were two big themes that emerged in “No Way Out”, and they’re themes that have been with The Walking Dead almost since the beginning: the concept of community and the idea that this post-apocalyptic world can change an individual in profound ways. The episode was certainly a bit overly didactic about these points at times, but for once, it allowed them to dovetail together with a surprising harmony.

The community element of the episode has been telegraphed from at least the beginning of this season, if not long before. Rick has spent so much time decrying the preparedness of the Alexandrians, declaring that they are children of the summer, and drawing a dividing line between them and his own people, that you just knew he was going to turn around and accept them with open arms sooner or later. It was inevitable that some event was going to take place, Rick was going to see that these people had potential, and then eventually, he would embrace them. It’s not even the first time we’ve seen this type of arc with Rick.

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